form the label: this record is pure italian craftsmanship and brought to you by mushrooms project & almunia. expect dark balearic summer vibes all over this one. fellow countrymen daniele baldelli & dionigi gave arena raindrops a cosmic makeover. artwork coverage comes from the north of the netherlands where klaas jonkman was inspired by the rupicola peruvianus to paint the cover of this record. enjoy this piece of art.

wah wah 45s are very proud to announce their first foray into the format of the future-retro fan – the cassette. and who better to deliver our debut release on this cult medium, than our very own electronic beat makers and hip hop nerds, paper tiger. over the last four years, the leeds and london based crew have been quietly pasting together some of the more interesting and subversive off-cuts and live interludes that were recorded around their two lp releases.

following a double dose of newfound los angeles talent, apron records founder, steven julien (aka funkineven) returns home with the debut release from london-based enigma, molinaro. apron 35 is classic apron records material five slabs of soul-drenched techno anchored by groove and grit from a new name with plenty of experience. molinaro who has honed his production and djing craft for over a decade is one of the capital s best technicians behind the decks. a skill most recently recognised by nts radio, who rewarded him with a regular monthly slot on the airwaves. the first of which shot straight into the nts picks for the week. opener gio cements the tone from the off, drifting in with warm, enveloping pads, quickly joined by beefy drums and percussion in a five-minute sprawl out. jtl is arguably the standout a boogie-influenced roller aimed at prime time dancefloor. ty and -molow showcase the deeper, moodier face of molinaros sound palette before the beatless sofar rounds things out, paying homage to ryuichi sakamotos synth brilliance.

while our output in 2017 has been delayed, our pursual of quality artists persisted. moods & grooves welcomes detroit area artist jason hogans best know for his debut ep peter and the rooster on planet e. his introductory effort on m&g also features the multi-talented paul randolph. sue features pauls effortlessly awesome vocal and bass guitar talents, funky wurlitzer chords, and chunky drums. andres gives sue a proper deep bounce treatment with his stomping remix. work the terminals- is an animated, minorkey, wallshaking analog bassline (ask his neighbor) & cracking drum kit with an lfo/filter-freaked sample chop chutney holding it all together on a funky house tip. yum, y all. the work the terminals ep is inspired by jason’s traveling and performing over the past several years and we hope it moves you.

dusk & dawn is private agenda s most conceptual work to date. sat at a grand piano, the pair composed two nocturnes over the course of twelve moonlit hours, chronicling the allure and mystique of the night. building on an emotive pop foundation, developed over releases on international feel and their own nightshift imprint, dusk & dawn is a deeper sonic exploration that pays closer attention to ambience and sound design. dusk is an enchanting take on new wave pop, referencing talk talk and early simple minds. a drum machine beats a half-time groove while a dusty but characterful synthesizer pulls the track towards it s cathartic dream-pop apex. dawn draws on contemporaries like imaginary softwoods and croatian amor, bringing the listener down to earth into lucidity. beautiful arpeggios soar over reverse guitars, wistful lyricism is coupled with detailed ambience. a blissful meditation to ease you into the day. remixes come from faze action, ron basejam and ian blevins who all add their deft to touch to dawn and offer up flavors from different corners of the dance floor to this adriatic / balearic influenced piece of music.

das jahr 1967 war dank the doors eines der außergewöhnlichen jahre in sachen debüt-veröffentlichungen, denn neben einer ganzen kette von single-hits erschienen gleich zwei mit platin ausgezeichnete alben: im januar 1967 spielte sich das debüt the doors auf anhieb in den olymp der rock-alben, und im september desselben jahres kam das album strange days, welches zeitlose klassiker wie love me two times, when the music’s over und den titeltrack strange days enthält.
zum 50. jubiläum dieses albums veröffentlicht rhino nun strange days (50th anniversary deluxe edition) auf 180 gramm vinyl, remastert vom original 1967 mono-master.

robert rental was the stage name of robert donnachie (1952?2000), a british pioneer of post-punk, diy, and industrial music. originally from port glasgow, scotland, he moved to the south of england with thomas leer in the late 1970s where he met glenn michael wallis. glenn was recording music with the group heute and leaving to start his solo projects nkvd and konstruktivists. both were heavily involved with throbbing gristle and the industrial records crew. in the summer of 1979, robert invited glenn to his studio in battersea to jam. robert on guitar and glenn on an edp wasp synthesizer. for each session that summer they would play for about 40 minutes, maybe longer, stoned. robert suggested they record it, many times erasing and over recording one session for the next. the music had no titles, as they were never intended to be released. on these recordings, robert enjoyed playing like robert fripp of king crimson, while glenn channeled wolfgang flur of kraftwerk. influenced by krautrock bands like can, neu!, cluster/harmonia, as well as terry riley and brian eno the duo forged a unqiue brand of industrial music. tape loops and synthesizer sounds played backward conjure dark ambient moods. all songs have been remastered for vinyl by george horn at fantasy studios in berkeley. the lp is housed in a jacket that features a drawing by robert rental from glenn?s archives as well as a handwritten note from robert to glenn. each copy includes 2 photo postcards featuring a transcription of robert?s letter and liner notes from glenn wallis.

forriner is lee forster and oli worriner.
i made music together with lee for years (alongside mick rolfe) as last waltz. he also worked as lizards with james hadfield (james released solo for me me me 02), oli worriner, is a talented young northerner who’s already making a great name for his solo output, both under his own name and his traela alias, as well his label “tunnyl recordings”.
i’m really flattered that they’ve let me release their first full solo release, and i love how they’ve brought out each others deeper and more emotive sides in these 2 tracks. shit robot is a hero of mine. i basically wore out the grooves on a bunch of his dfa stuff from just over 10 years ago, and i’ve avidly bought everything he’s released since. i met him this summer for the first time when we shared the bill at a festival, and was so happy to find that he’s also lovely guy in real life. they say you should never meet your heroes, but i don’t subscribe to that as this meeting led to not one, but two fantastic remixes for me me me 08. the originals are a bright mix of melodically analogue left leaning house, while the remixes zero-in on a punchier dancefloor vibe, with an epic version goodnight, as well a more heads down disco dub.
so yeah, links within links, and keeping it northeastern again i guess.

dive-bar turned record label paradise palms presents a brand new 7inch from veteran producer justin robertson, a man with over 23 years experience as an innovator and restless proponent of fascinating forward-thinking music. his tireless work ethic has ensured that he remains one of the most relevant and exciting dj/producers around, as a whole new generation of electronic enthusiasts will sweatily testify. justin s latest incarnation as the deadstock 33s has been garnishing lavish praise from figureheads such as andrew weatherall and erol alkan, as well as a diverse cross-section of fresh talent, from daniel avery to eats everything. cyborg holiday snaps is a double-whammy 7inch of alien machine funk crafted by the rave pilot himself. the titular track launches head&#64257,,,,rst into hissing electro territory with pounding rhythms and detroit-strength bass stabs, while numerical discord is a low-slung 110bpm acid weapon.

roberto aglieri is a noted italian flutist and composer, and his 1987 album ragapadani stands as one of his finest achievements. archeo recordings are ever hip to the finest treasures hidden away in the folds of esoteric music, italian or otherwise, and have done a great service in reissuing the album so that it might reach a wider audience. on this limited white marble edition of the album, aglieri s flute sounds haunting and evocative over the range of delicate synth treatments, largely orbiting the minimal realm but with a naive charm that makes the music wholly accessible at the same time. soothing, thoughtfully crafted music for tender times.

xxx004 is a compilation that will take you on a trip full of emotions. we carefully selected nine different tracks by nine different artists released on two different vinyls, suitable for all type of situations. part one is dancefloor ready with four tracks produced by artists from all over europe. the cover is designed by artofsomething, a well known artist in amsterdam nightlife. his artwork fits perfectly with the infinite nature of this release. watch the dance floor while playing them out loud.

spanish funk, soul and disco champion javi frias returns with the second release on his night shift label, bringing more of that classically informed party-starting business for those who love their classic disco edits. tender feeling sounds like a perfect transplant from the dancefloor of studio 54, while move to the groove is equally entrenched in the finest 70s-styled heat. supah stah and swahili dance are equally no slouches when it comes to channeling the best elements of that golden era disco sound javi frias has this music in his blood and anyone that feels the same will be all over this record, dancers and djs alike.

fresh after his storming powerline ep on extrapolation records, lancashire based brandon vare delivers 2 more mighty tracks for jelly roll soul. with the a side, moonlighting he brings some relief from the 2017s darkness. with it’s glistening synth lines and warm chords, it delivers a sense of hope in a time of need. dug out from his archives, the track is now over 5 years old but now its time has come! the flip side yattering is its ugly, dark shadow. its conflicted inner life slowly reveals itself from under a razor sharp bassline, burbling to the surface as it breaks out in a full on panic attack

the 1977 elo album back as 40th anniversary double picture vinyl

as proprietors of the will & ink label, yaleesa hall & malin genie have been maintaining a busy and consistent release schedule of top notch techno sounds, largely releasing their own, well received, productions. the duo appeared on hypercolours 10 years compilation in 2016 with the excellent buchan trap, and weve been blessed to secure a full single release with the on-point pair. the mechanical funk of artin swings with plenty of assured groove, the shuffling hats, dense kicks and dubby stabs that ping pong across this fierce production mark this out as a real killer cut. dario & marco zenker, aka the zenker brothers, take time out from their busy ilian tape operations to remix artin into a brutal yet funky techno goliath. congas perpetually roll forward, with frenetic 909 hats and raw and ready stabs in what may well be one of the zenkers finest remixes to date. the essence of funk continues in hall & malins music, with cahen, a great slab of compelling techno that never slips too far into darkness, instead keeping an ever evolving groove and some abstract drone like synthesis to keep the mood buoyant. wrapping up the release is brown, a track that finishes as urgently as it starts, perhaps with a cap doffed to the purpose maker sounds of a certain jeff mills, but broadening the palette to allow some trippy sound architecture and an effective breakdown mid way through. modern day techno supplied by a duo that will most certainly flourish over the coming months, yaleesa hall & malin deliver the goods aplomb on this hypercolour single.

its taken over two-decades legendary uk techno label ferox enter their 24th year with a 4 trackerafrom fellow brit kirk degiorgio. beholden looks both to the future with influences from kirk s seminal machine events which he hosts with ben sims, and the illustrious past of deep melodic uk techno which he shares with ferox owner russ gabriel. it continues a resurgence of lush, harmonic techno that once dominated the electronic music scene and which is now findingaa fresh, young audience. expansive chords, delicate melodies and intricate grooves are once again on the cutting edge agenda.

ltd 2017 repress - metal dance vol. 1 was resident advisor no. 1 compilation of 2012! ny times pick of 2012 this collection underscores the real romance of machines. here is vol. 2.... 15 tracks auf der 2x 12 inch vinyl

sbire begins. the newly founded label is curated by swiss artists isolated lines, known for his edgy and razor sharp productions (on tommy four seven s 47, among others), and gaspard de la montagne, who has been perfecting his sculptural and curiously optimistic vision of techno through his eps on creaked. sbr001 is a well-rounded compilation from their inner circle spanning from grime over raw house to techno.

collector is the solo project of jason campbell who resides in newcastle, australia. forced extraction is his first release for beat concern following an lp on the melbourne-based drawing heat, and tapes for seminal labels, night people and clan destine records. campbell has honed his unique take on experimental techno over the last few years by building compositions with all analogue hardware and modular synthesis. forced extraction sees collector at his most incisive, carving out four pummelling tracks across the 12inch. piercing feedback, foreboding synth movements and bass drones are anchored by rigid drum programming with an attention to heavy industrial rhythms. an exciting peek into the coal-face of underground australian electronics

das dritte falco-album als 180 gramm vinyl, inklusdive downloadcode.

all greg beato productions! a compilation of sorts the tunes they didnt want you to hear. strong stuff! limited edition gear on mr beato s on ni un pero label.

serotonin records is the original new york city electro-revival imprint still pumping out funk for you today. synapse is the project of serotonin records founders john selway and jason “bpmf” szostek. besides releases on their own label, their tracks and remixes have made their way to interdimensional transmissions, electrocord, i220, studio !k7 and instinct/radical ambient. dedicated to their unique future funk sound of electro, their tracks define what serotonin is all about. synapse “scientism ep” is an overview of the last 20 years of regress in modern culture. the erosion of democratic values, abuse of science, distortion and manipulation of facts and deliberate seeds of discord sown by the powerful to create schism in the fabric of society, enabling the few to exercise control over the many. all that and funk… good old american electronic new york city funk.

with its sixth release new york trax continues the mission of highlighting the jewels of the new york underground. liquid asset is a philadelphia-born brooklyn-based hardware virtuoso who has made a name for herself by virtue of appearances on labels such as e-saggila s summer isle brooklyn s own primitive languages jacktone and acid etch where she has recently delivered a furious 7- split with isabella. liquid asset built her own 808 and 303 clones by hand. the modified 303 is particularly audible in the opening track of the record -ephemeral nights- where she did not waste time on an intro and went straight to creating a sonic pandemonium by blending an airhorn sound with frenzy acid basslines and a hardcore-leaning 909 kick. -contact- is a merciless creature of the night with its relentless dark groove building up throughout this composition cannot easily be classified as a representation of any particular genre. -controlperception- opens the b side. here liquid asset plays with a cheerful acid line over a dreamy landscape often punctured with bleeping sounds. finally in -forgetmenot- two opposite sounding basslines intertwine creating a minimal yet very capturing composition to close this one of a kind record.

after 2016’s mini-album shady and light, composer and guitarist martyn heyne releases his first full-length record electric intervals on the new 7k! imprint. says heyne: the number of parameters that determine a recording appears to be infinite. the mood, instrument, tuning, mics, room, temperature, time of day, all contribute to sound. the magic, once captured, is impossible to recreate. this might seem a hindrance, but it’s really the whole point of recording for me.’ opener ‘carry’, for example, is a composition carefully developed over months with most of the production happening in front of the microphone. ‘wilde wide’, however, was recorded only once as an early-morning improvisation. having worked with dustin o’halloran on the emmy-winning transparent soundtrack and with clarinettist claudio puntin as part of the duo set aglow, heyne’s sound is one of simplified diversity. on his debut album he controls each melody with the precision of a veteran producer.

heaven sent from nigeria’s tumultuous east, the apostles have been preaching a particular blend of funky psychedelic soul/rock fusion for over forty years. on banko woman they threw a little afrobeat into the mix, creating an afro-funk disco bomb that has been energising dance floors ever since.

the third & final of the to2c collection featuring eddie c, napoleon, sleazy mcqueen & vinyladdicted, patchworks & leblanc pressed on black vinyl housed in a manila sleeve.

* concept and composition by ryoji ikeda * co-produced by eklekto geneva percussion center, ryoji ikeda studio and la bâtie festival de genève. * percussionists (eklekto): alexandre babel, stéphane garin, lucas genas and dorian fretto ryoji ikeda japan’s leading electronic composer and visual artist ryoji ikeda focuses on the essential characteristics of sound itself and that of visuals as light by means of both mathematical precision and mathematical aesthetics. ikeda has gained a reputation as one of the few international artists working convincingly across both visual and sonic media. he elaborately orchestrates sound, visuals, materials, physical phenomena and mathematical notions into immersive live performances and installations. eklekto eklekto is a contemporary percussion collective founded in 1974 in geneva. constantly seeking to reinvent percussion music, the group collaborates with living composers and contemporary artists through concerts, multimedia projects and artistic events that question the listener’s expectations towards new musical forms. eklekto has premiered over 100 new works and performed hundreds of internationally acclaimed shows

for the projects 5th release we welcome russian artist toki fuko. the label continues to source deeper soundscapes and toki delivers a hypnotic collection of deep techno grooves with rhythmic sequencing where he absorbs inspiration from the world that surrounds him. over the years he has worked with musicians such as joaschim spieth, estroe, hernan catanneo, wareika, brendon moeller, and published on incredible labels such as affin, star dub, rosedale and slowdance. elliot project is proud to showcase this 3 track ep which illustrates the incredible talent of toki fuko and tagir who provides a special edit for sept .

wer über jahrzehnte hinweg tolle musik hören wollte, musste nur einen blick auf den bildschirm werfen. tv- und film-soundtracks waren oft die arbeit von us-legenden wie lalo schiffrin, oliver nelson & quincy jones und ihrer britischen kollegen ronnie hazelhurst und alan hawkshaw. sie alle schufen den soundtrack der 60er und 70er jahre zu einer zeit, als film und tv-musik unverschämt funky waren. hier knüpft auch andy tolman und sein musikalisches cartel an, von jazz zu soul und funk bietet cyphe- den soundtrack zu einem imaginären film.

nice price deal !!! for release number six marco faraone and norman methner welcome branko stojanov to the u&#1048,,cag&#926,, family. top and tailing the ep with his two originals branko opens with >oprosti<. a melodic number featuring a floating chord over a sharp beat. this is followed by the first of two remixes of >kao staklo<. darren roberts aka deepbass rolls out one of his trademark reworks with a deep and trippy seven-minute opus. the b side opens with swedish mastermind skudge who delivered a groovy and psychedelic minimal remix of >kao staklo<. before we re finally introduced to the original title track with its misty atmospheres and melancholic grooves. a rock solid first release.

the first ep with mr al kent did so good we just had to make a follow up... just like on the first ep we stick to the formula with a lush mid-tempo philly jam on the a side, over on the b, banging it out with a big disco stomper. together you get a 12inch that combines the best of both worlds one for the warm up / end of the night sessions and another for the peak hours. a seriously good value 12inch release

fouk might have been curating outplay since 2013, but their butterfunk ep is in fact the duos first proper ep on their own imprint. its not that theyve been resting on their laurels: they ve drip-fed a handful of eps on the likes of heist and house of disco over the past few years, and released solo efforts on kolour ltd and razor n tape that stormed the charts. it s been fascinating to see the dutch pair slowly break the mould, moving from heavy sampling in favour to an emphasis on original instrumentation and production. the butterfunk ep is fine showcase of their prowess in the studio, loaded to the hilt with contemporary dancefloor funk. things kick off with the rolling drums, off-beat percussion and seriously infectious hammond lines of organ freeman. title track butterfunk is aimed squarely at the hips with its smooth keys and perfectly placed vocal, while some acid lines give the track a little edge. flip over for the bumping wong way, a chunky workout with a rubber bassline. the finale of the ep is winter, a fantastic slice of 80s inspired downtempo mushroom jazz.

unsurprisingly, richard galling, does indeed hail from milwaukee, having released disco inspired jams since about 2012. with his stuff getting plays on the likes of beats in space, he got his name out early. his latest offering is this single that features two original tracks and some remixes too. 303? features the eponymous bass machine all over this deep, arpeggio-heavy tech-disco jam, organ swaps the 303 for a classic robin s-style house organ, and prophet adds some big room bass. also included is a prophet version of clear water, a real late 80s, shep pettibone-style, latin house joint. luke solomons body edit, is absolut dancefloor heat !!

ben jacobs aka crackazat first made a name for himself when he was still living in bristol and released on ep on the city s futureboogie label, which has also signed music from the likes of julio bashmore, crazy p and outboxx. early in his career crackazat was also the official warm up act for an at the time up and coming artist called floating points, who now needs no introduction as one of the world s leading electronic music producers. moving to sweden shortly after the futureboogie release, crackazat made contact with the local talk owners mad mats and tooli, and after a couple of single/ep releases signed his debut solo album crescendo. the last couple of years crackazat has had an explosion of global popularity, which has led to playing gigs all over the world, and releasing tracks and remixes on labels ranging from josh wink s ovum, joey negro s z records and eureka in japan. classically trained with a strong jazz influence, crackazat has a distinctively individual sound that fuses funk with soulful vocals and the electronic bass music associated with his former home of bristol. eloquent and intelligent, rainbow fantasia is a masterpiece that showcases one of electronic music s most exciting talents.

label head honchos sleep d are back with another production out of the jackal studios, located in melbourne, australia. red rock (iv mix) kicks off the release, a mid-tempo mover originally performed live at inner varnika 2017, re-imagined in the studio taking you back to the alien-like surrounds of rural victorian landscape bookaar. bunyip beat reinforces the mood, forcing your mind to explore the flow of the odd-ball rhythm. flip it over and you have almost 8 minutes of hypnotic aural madness on sandman, a real late night outdoor atmospheric finish on this diverse release.

the third release from samulis label power of voltages is an excursion to broken 4/4 on the a-side tracks and muddy lofi aesthetics and restrained progression on the b-side tracks. all tracks are live recordings executed with hardware only. raw and functional tracks, already tested and approved on some of the finest floors.

nice price deal !!! born near the french border and growing up in the 90’s, dirk lamprecht aka dml developed a strange but even more so strong interest in hardcore-techno. but this style quickly became too limited for him and he adopted the sound of detroit, carl craig, kenny larkin and robert hood became the most influencial artists for him. over the years he became affiliated with an even greater spectrum of musical influences, ranging from all sorts of electronic music to jazz and even world music. in addition he graduated as an audio engineer and started to perform as a live act in 2002. more knowledge consequently leads to a much more diverse way of producing own tracks. in 2007 dirk lamprecht made his debut under his alias >dml< on the legendary label harthouse. his productions range from tribalistic via hypnotic, with a hint of detroit under his real name and from a touch of minimal, through melodramatic to straight techno under his alias dml

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tessellate is a south london party that has been running for the last four years predominantly at corsica studios in elephant and castle. the label is a natural progression of their events, featuring artists and friends they have booked and met over the years.
the debut release comes from a new alias of a regular guest to their nights. firmin crafts two tracks for the club - la selva for the sunrise and energetic solution for the peak time.
brassica (feel my bicep) and tel aviv’s moscoman both deliver with two different takes of la selva on the b-side.

nice price deal !!! since sepalcures debut ep, love pressure dropped last summer, the new york based act otherwise known as travis stewart (machinedrum) and praveen sharma (braille) have made a lasting impression on the electronic sphere over the last year with unforgettable live performances across the usa and europe, as well as a stunning follow-up ep, fleur. their unique chemistry as a duo is undeniable and has resulted in a soulful, emotive, and energetic style that is entirely their own. on this remix ep, five of the usa’s most exciting dance music producers of late have offered their unique takes on the original tracks, all bringing their own signature elements into the fore: xi (orca, toronto), faltydl (planet mu, new york), jimmy edgar (!k7, detroit), daedelus (ninja tune, los angeles), and recent hotflush signing lando kal (lazer sword, berlin via san francisco).

dancefloor alert! restoration records celebrates its ten years of activity with 4 fully-fledged club oriented tracks produced by its stalwarts lucretio and marieu, also known as the analogue cops and xenogears. the marshall is a four hands analogue cops night affair about heavy rhythms and blues, glittering cymbals, fiery breaks, and the art of sampling. lucretios deliver is a classy big room jacking tune fuelled with jumbo balearic chords, dense reverbs and a proto-digital acid line. marieus see ya tomorrow is a raw happy house anthem with a touch of jazz and a relentless drive. finally, the duo darkest moniker xenogears wisely crafted a polyrhythmic techno ground-shaking tune injected with analogue sparkles and pervaded by a steel-sky atmosphere.

musically and emotionally, superpitcher’s third full-length studio album, the golden ravedays is a one sound autobiography that exhibits the skill, feeling and style that the artist has honed over a period of twenty years, musically, and forty-plus- years, emotionally. and full-length it is: the golden ravedays is an epic album of 24 longer than usual tracks that was released in january 2017 and is stretching over 12 respective chapter albums during a one-year period. the 11th edition of the golden ravedays album will be released on hippie dance in november 2017. side a brings brothers. with two decades of spinning experience in disco’s, nightclubs, festival arenas, shady after-party zones and intimate studio soirees there is no doubt that superpitcher is seasoned in throwing a damn good party. brothers is party personified and a celebration of the night and the wise owls that respect its magical rituals. its ultra-chic disco groove and dreamy female vocals transport one to a carnival of blessings. side b features sleepy head, a hypnotic lullaby carefully tucked away in a hammock that rocks to and fro like dozing mermaids in a wavy curtain of seaweed. sleepy head is a smart artistic statement and whimsical pause just before the release of the grand finale of the the golden ravedays saga.

temple traxx is my brand new label specializing in material from the early days of techno and house. at the time i was living in nyc and ran the electronic record shop temple records and a weekly techno party called “killer” at legendary save the robots. i was releasing my music on force inc./mille plateaux, djungle fever/structure (now kompakt) or harvest/emi for europe and in the states with smile communication, direct drive, or freddy fresh’s electro imprint socket, besides my own temple records nyc, super-8, and el turco loco labels. now, 22 years later, i am excited to curate a new outlet for sleazy-machine-music called temple traxx in homage to the pioneers and early electronic music community i still call my friends: jammin’ unit, dr. walker, who together form air liquide, kerosene, dj silver (paolo dinola), bolz bolz, alec empire, freddy fresh, mike ink, and bionaut just to name the closest circle. all re-edited and freshly mastered. “bad computer” was originally released in 1995 on temple records nyc and is now the first 12” on temple traxx. produced by brother jammin’ unit, who also signed for re-mastering, and myself as bizz o.d. in wild pitch matters. cube 40 was always meant to be the ramones of techno by repeating the same track idea over and over. compare with “you make me function” and you’ll get the idea. currently in the temple traxx pipe-line: mass-turbator “s/t”, jammin’ unit “remote car baby”, khan & walker “schleichfahrt”, 4e, and captain comatose “$100” old and new mixes.

frank went from a stranger to a friend in a heartbeat. the common passion for music and overall values let us to this first project together. grab your board and surf on the soundwaves of analogue gear with which frank created his soulful music. the analogue touch didn t stop with the music though, we tried to retain it through the whole project from the music over the mastering up to the medium itself. vinyl.
a2, b1 and b2 are mixed by m. schneider while a1 is mixed by r. bischoff. mastered by calyx in berlin. the beautiful cover comes from the hands of siiri ta&#776,,,nnler.

33 sinatra classics on double vinyl lp, housed in a gatefold sleeve.

svengalisghost captured here in his most true form, the live setting. this recording comes direct from the board during his performance on french television in 2015 and harnesses the maniacal energy of his live set in perfect form. what may be the chicago born artist s darkest and most plodding recording to date, this is the definintion of deconstructed death-industrial, foward thinking and freeform yet totally focused and razor sharp, plodding drums over open wire electronics and zodiac killer vocals hitting you from all angles. this is sound of evil personified. limited copies available worldwide.

nice price deal !!! a pure and intelligent progressive effort that efficiently takes the road with its hypnotic melody that scatters nice and delicate trancey vibes all over its musical passage!! includes luke porter and original mix!!

a-ha’s 2nd album back on vinyl for the first time in over 25 years! mastered by ron mcmaster at capitol studios, pressed on 180 gram vinyl with download code included.

new york’s dj spider returns to rekids with four murky vinyl-only cuts this november. a highly respected label owner, dj spider is well known for helming esteemed imprints like plan b, sub level sounds and btu music. as a producer he has made appearances on the likes of the trilogy tapes, bleed, killekill and vanguard sound!, whilst last year saw him make his debut on rekids. returning to the imprint, the american artist follows dj deep, jon hester and fbk for the fourth outing in the rekids special projects vinyl series. opening with ‘mobius strip revisited’, a squelching bass line and rolling percussive loops underpin ethereal pads and airy atmospheres before an extended keyboard solo plays over inspired chord progressions and a grooved low-end to give ‘antikythera mechanism part 2’ an improvised feel. on the flip we have ‘sub-atomic vibrations’, providing a series of irresistible lead synth melodies and crunchy drum compositions followed by ‘struggles with phantoms’, an unrelenting rhythm section lays the foundation for an evolving mid-range giving the release a stylish close